ABOUT FRESCO
Click here to download a Fresco Timeline.
This page is intended to give some information based on frequently asked
questions about frescoes.
Fresco dates back before recorded history. The ancient Egyptians and Greeks practiced fresco painting. The word Fresco meaning “fresh” in Italian, refers to an art form that has a canvas of wet plaster. Pure pigments suspended in distilled water are drawn into the surface as the plaster dries.
The lime itself goes through three separate chemical reactions from the time it is quarried, then kiln fired, slaked and applied to the fresco. This calcium hydroxide plaster eventually dries and the reaction with carbon dioxide in the air seals the pigment into the lime as it reverts back to its original “rock” state.
I believe fresco is the best medium for painting on a grand scale. Monumental works has always been done in fresco because of its luminosity. The intense white lime base adds brilliance to the artwork and creates an “inner glow” which requires only minimum lighting for the completed fresco. Its natural eggshell mat finish virtually eliminates any reflective glare from all vantage points.
Vast surface areas can be covered. The fundamental plasticity of the lime plaster allows it to conform to many diverse platforms - such as curved or domed surfaces, flat walls, or odd shapes, etc.
New pigments have greatly enhanced the colors of the fresco artists pallet. The brilliant cadmium reds and yellows, cobalt blues and greens have added a high chromium color range to the natural earth tone pigments.
Modern building methods and materials have greatly improved the stability of the fresco wall and prevent any cracking or moisture problems. Heating, air conditioning, and air filtration systems now provide an ideal environment for fresco, something the Renaissance masters never had.
The fresco is married to the building that houses it. The artist should ensure that the fresco reflects the architecture, as well as the purpose of the edifice. The architect should consider the placement of the fresco as being its life long home.
I would love to sit down with you to discuss the possibilities.
Metal and mesh frameworks make it possible to affix a fresco to fit almost any application. Brick walls are also an excellent surface for a fresco.
